The LF driver size is different but I thought it could be of some interest for some. It was for me at least. Furthermore, Adam Audio are offering a 100-day Free Trial Account of the TIDAL Streaming Platform if you register your Adam Audio product between the 16th of September 2019 until the 31st of December 2019 via MYADAM! The T7V Studio Monitor features two 3-way fine-tune switches that allow you to boost or cut high/low frequencies, enabling you to tailor the monitor to the room and position it's in. The fine tune controls, combined with high performance, wide frequency response, and a wide sweet spot ensure accurate sound, allowing you to produce professional results.

The new U-ART tweeter, a breakthrough solution for use in high-resolution recording and mixing on a budget, goes up to 25 kHz and is mated to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series monitors. Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty

In a typical small studio environment, the T7Vs manage a well‑balanced overall sound with detailed but non‑aggressive highs and confident lows that — while exhibiting a little overhang — don’t sound excessively ‘plummy’. Their stereo imaging is also well defined with a stable centre image. In many respects the sound follows the general character of the popular ADAM A7Xs, but with perhaps a little less overall brightness and tightness when the EQ is set flat. There may also be a hint less finesse in the mid‑range, but really there’s surprisingly little in it given the price difference. I found the T7Vs very comfortable to work with and I’d be happy to use them on serious projects. They remain clean‑sounding up to comfortable mixing levels, and while 110dB should be considered a peak rather than a target level, there’s plenty of clean power in hand when you consider that you’ll probably be sitting only a couple of feet from these speakers. Again, my allegiance lies with Adam Audio, but the JBL 306P is a mildly more affordable solution to your financial woes. My Emes Waldorf monitors were up for replacement. These were over twice the price when new, so I didn't expect a fair comparison but hoped the Adams would be acceptable. Much to my surprise though, these Adams had deeper lows and higher highs than the Emes did! Moreover, they provide such a wide frequency range without becoming boomy or shouty. This gentle behaviour means the mid-range isn't pushed away like often happens with cheaper speakers. Contrary to some, I perform an almost full band EQing as I don't see how leaving a big bump or though in the 50Hz - 500Hz range, when we know it's there and we can correct it, can be beneficial even if subsequent EQ in the same range will be applied during room integration. The highs and the mids are detailed, balanced, and ample. What they are not, though, is neutral. This is not the flattest response you can get in studio monitors. They do color the sound a little with the signature ADAM timbre.

While it is not unreasonable to subject professional monitors to a battery of electronic and audio tests, the real question with more affordable monitors such as these is whether or not they enable you to deliver mixes that translate well to real‑world listening situations. All loudspeaker systems show wrinkles in their frequency and phase response curves, and all ported speakers suffer from some degree of bass overhang — but if the design has been handled with care, these inevitable imperfections shouldn’t be serious enough to compromise your work. And in reality, the effects of imperfect room acoustics and the use of unsuitable speaker platforms (or wobbly stands) often masks the more subtle attributes of the speakers. I think the KRKs are so overhyped at this point, and fair enough, they’ve certainly earned their place. At a certain point though, when will we stop buying things just because they’re the popular choice? Save yourself the headache and get the T7V. The T7V features a 7-inch woofer that is capable of producing deep, rumbling low end, and a 1.9-inch tweeter that delivers clarity in the high end. The new U-ART accelerated ribbon tweeter is mated to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HFP) waveguide used in Adam Audio's flagship S Series monitors. The U-ART tweeter provides you with an incredibly wide sweet spot, which means you are free to move around your desk knowing you will hear the same frequencies while mixing. The design of the T7V makes it perfectly suited for use in small studios, ensuring it can be comfortably fitted onto any desktop and workspace. FeaturesYou should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. The T7V features a 7-inch woofer which adds to the high-resolution of the stereo image and produces a deep and punchy low end, attributed to the rear-firing bass reflex port. In particular the resolution below 1000Hz might be too coarse because of the windowing technics used and consequently the peaks/deeps in that range might be underestimated.

I can’t say that the out-of-the-box performance is what I consider state-of-the-art, some monitors measure better without any EQ (Kali LP8 as an example), but if the EQed version lives up to the number that could be a great buy. So better than the JBL? not sure but a good reference point. Did a lot of comparison e.g., RoKu 7 KRK all including subwoofer. The difference is without a doubt much better with the Adam T7V's. The Adam T7V is an affordable two-way studio monitor designed for vertical use in a nearfield application. The wide frequency response, high dynamic range, excellent transient response, wide sweet spot and small footprint makes the T7V perfectly suited for use in small control rooms for music production, video post-production and broadcast production.The wide frequency response, high dynamic range, excellent transient response, wide sweet spot and small footprints make the T7V perfectly suited for use in small control rooms for music production, video post-production and broadcast production – a great fit for the modest budgets that many facilities need to work with. The 7" polypropylene woofer and rear-firing bass reflex port deliver tight, controlled low end response. Powered by a 50w low end amplifier, it offers the perfect balance of smooth bass against the detailed top end of a ribbon tweeter. Exactly what you need for a balanced mix that translates well onto other systems. Additionally they often emphasize the importance of placement, here is an example: https://www.svsound.com/blogs/subwoofer-setup-and-tuning/75365187-the-art-of-subwoofer-placement Regarding the scoring method itself, models in general, not just in audio, are judged with two main criteria: Featuring a 7” woofer that provides bass extension down to 39 Hz, the T7V's U-ART tweeter diaphragm provides pristine and extended high-frequency response up to 25 kHz, which is virtually unheard of in studio monitors at this price-point.