Girlcrush: The #1 Sunday Times Bestseller

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I know this is meant to be a story about a messy character, but you're given no reason at all to care about this selfish, awful woman from the start of the novel. The Slumflower and Florence Given are both under the same management team, Diving Bell, committed to “representing a new breed of changemakers and innovators”. Hampson, Laura (3 August 2019). "Meet Florence Given: the influencer telling women to dump their boyfriends". Evening Standard. If you follow florence online, it just sounds like a fictional version of her life and friends and experiences - maybe it was a cathartic exercise for FG. Would have liked something more imaginative / completely new as a piece of fiction! This could have been intentional but I am not sure it worked for me.

a b Petter, Olivia (12 July 2019). "Meet Florence Given, the 20-year-old illustrator who wants you to 'dump him' ". The Independent. Florence Given released her first fiction novel, Girl Crush, last week (9th August). And it’s safe to say she probably won’t be hailed as this generation’s Jacqueline Wilson anytime soon. In diesem Roman geht es um Eartha. Sie ist eine bisexuelle Künstlerin, wohnt in einer grottigen Wohnung und hat gerade ihren Freund rausgeschmissen, weil er sie mit einer anderen Frau betrogen hat und dieser Frau auch noch ihr Lieblingsshirt geschenkt hat, das sie selbst designt hat. Jetzt, wo er endlich weg ist (die Trennung war lange überfällig, da sind Eartha und ich uns einig) schafft Eartha es, sich endlich als bi zu outen - und ihr Outing geht viral. Ganz Wonderland (DIE Social-Media-Seite in Earthas Welt) hat dieses Video gesehen und plötzlich wird Eartha als die Stimme ihrer Generation gesehen. Alle kennen sie, alle lieben sie, alle beobachten sie. Und Eartha muss am eigenen Leib erfahren, wie schnell sich Liebe in Hass und positiver Zuspruch in einen Shitstorm verwandeln kann. Women Don't Owe You Pretty was a concise, witty, compassionate guide to navigating feminism' - ObserverThe Slumflower captioned these screenshots: “Remember that Google’s algorithm is designed to show you what your own bias wants to see. So depending on your location, browsing data and internet usage habits, your search results may slightly differ but there is still something to be said in algorithmic bias and white supremacy. However, I’d say this book was a bit confused about what it wanted to do. It was almost like two books in one: the first book describing Eartha’s sexual awakening as a bisexual woman, breaking the cycle of abusive relationships in her family; while the second narrative focuses on her journey on social media and the perils of the internet. There were also these parts called the “director’s notes” where the narrator panned out a camera on Eartha, or the situation unfolding, which I didn’t think worked that well. Radin, Sara (30 May 2019). "Meet 5 illustrators using their art to celebrate the beauty of being queer". i-D . Retrieved 17 February 2020.

As an out bisexual woman myself, and as someone who has a podcast with an advice section, I get hundreds of questions from women every day. Most of them are: “Am I bisexual? I don’t know if I am.” And I can’t tell people! I’m not you. I don’t have the answers. I don’t know your life. What I wanted to do in this novel is say that it’s OK not to know. And it’s OK to be confused. Spannend fand ich die Entscheidung des Verlags, hier tatsächlich alles strikt durchzugendern. Machte für mich auch voll Sinn und passte zu Eartha, aus deren Sicht wir die Geschichte erzählt bekamen. Es passte so gut, dass mir erst im Nachhinein auffiel, dass das nicht so im englischen Original stehen kann. Die meisten Bezeichnungen sind im Englischen auch so schon genderneutral (zumindest meines Wissens nach), deswegen muss während der Übersetzung diese Entscheidung gefallen sein. Wie gesagt, ich fand das super spannend. Und es machte mir auch Lust, mal das Original in die Hand zu nehmen, um zu sehen, wie das denn dort geschrieben wurde und ob mir dort überhaupt irgendwas auffällt. In Given's debut novel, we follow Eartha on a wild, weird and seductive modern-day exploration as she commences life as an openly bisexual woman whilst also becoming a viral sensation on Wonderland, a social media app where people project their dream selves online. I don’t think I can explain it to you because I agree that Love Island is awful, but I still think it’s entertaining as hell. I can see why people are drawn to it, because it’s entertainment. It’s funny. That’s just reality TV. My generation is a lot more progressive [than previous generations]: we’re learning. So many more people are coming out as trans and queer because there are examples of it now. And I don’t think that you can ever give yourself permission to be something that you feel unless you see an example of it. The hardest thing for me is to extrapolate who I would even be without the internet. Social media is my gateway to the world and to making connections with people. When it comes to the physical boundaries I have with my phone: it’s never in my bedroom, it’s always charging in the kitchen. And when it comes to what you share online, I always take a beat.As a queer woman in the public eye, dating has evolved and changed with her success too. But how much of her own dating experience is mirrored in her new book? “I've had many women ghost me before,” she admits. “You start to protect your ego and identity. For a while I'd almost projected my past onto people that were completely innocent and assumed they were going to do what all of the others did. But I’ve learned to treat people as an individual.” It’s sold in Tesco: women have come to my book events saying: “I’ve never considered myself a feminist. I bought your book because it looked pretty. And then I came out the other end of it saying no to my husband, growing out my armpit hair, telling him when I don’t want to have sex.” I want women who think that they haven’t got the education to be a feminist to talk about this stuff. It should not be gate-kept. In 2018, she launched a petition to cancel Netflix's controversial fat-shaming series 'Insatiable', it gained over 300,000 signatures in a matter of days. The story became global news and she appeared on many news networks across the US and UK, as well as being interviewed for various publications including Huffington Post and Grazia. Shariff, Alysha; Wentworth-Smith, Antoinette (7 February 2018). "Girls, uninterrupted". Artefact . Retrieved 17 February 2020. Journalist Moya Lothian-McClean said: “I’m still thinking about Florence Given’s prose… Once again, publishers and editors involved in that… have a word with yourselves.” And I couldn’t have put it better myself, really. Related stories recommended by this writer:

Her podcast Exactly launched in January 2022. With guests including Munroe Bergdorf, Sofie Hagen and Jameela Jamil, Given discusses sex, relationships and social media. [10] [11] [12] It won the gold award for Best Marketing Campaign at the 2022 British Podcast Awards. [13] Influences [ edit ] This steers our chat onto the standards we all face every single day and how they can push us into building a ‘close to perfect’ facade online (or at least try to, as after all there’s no such thing as ‘perfect’). “You create a standard for yourself on social media that's above the standards we already have from the patriarchy, and trying to be beautiful to get by in this world,” Florence says thoughtfully. “More people are living this split life [between who you want to be and who you currently are] to the point we don't even question it anymore, we just know that that's the way it is. And still we feel shit about it. We know everything is curated, but it still hurts to see people doing better than us, or who are happier in areas that we aren't.”In another screenshot that has since been deleted, The Slumflower suggested Florence write her “a fat cheque” because her name was helping boost sales, as Women Don’t Owe You Pretty appeared in all of her searches.

I’m sure Florence would say that sentiments like these are exactly what she’s talking about in the overarching message of the book but like, I’m sorry, you had the makings of a book handed to you on a silver platter and you still managed to make it an unbearably frustrating (for all the wrong reasons) read. The plot was also questionable imo, the "twist" at the end felt like it was inserted as an afterthought and didn't seem to fit with the first 3/4 of the book... Spelling errors irritated me. Maybe it was rushed out for publication or more suited for a younger audience (what is happening to me)She also advises “taking everything with a pinch of salt” when it comes to consuming content and realising it’s not a case of ‘one size fits all’. A few years ago, Florence adopted the catchphrase “It’s a wonderful day to dump him” to remind people that life is too short to stay in toxic relationships that don’t make you happy. But, as she points out, not everyone took it well. “I know I used to shout ‘dump him’ on the internet but what really annoys me about the perception of that is people thought I meant ‘everyone should dump your boyfriend’ – but really it was about saying it so women who stumble across it take it as a sign if they were already thinking about it.” In Given’s debut novel, we follow Eartha on a wild, weird and seductive modern-day exploration as she commences life as an openly bisexual woman whilst also becoming a viral sensation on Wonderland, a social media app where people project their dream selves online. Florence Given won a legion of fans with her debut book, Women Don't Owe You Pretty, thanks to its unique illustrations and empowering message, encouraging women across the world, of all generations, to recognise their worth. Lifting the lid further on her writing process, it’s easy to hear the passion in Florence’s voice over the phone. “There's so much freedom in not having to be perfect, and I wanted to do something a bit messier this time – the characters in Girlcrush are messy,” she explains, admitting this was missing in her earlier literary offering, WDOYP. My pussy opens up like a rosebud at the sensation of her touch.” Sorry, but this is a REAL line from the book. It sounds like a 30-year-old man trying to sext like a poet.